Generally speaking, the movie industry loves the concept of unrequited love…to a point. That point is, of course, that there’s a happy ending – a quality notably absent from Edmond Rostand’s play, Cyrano de Bergerac, upon which Joe Wright�...
ElvisFor all that the description implies, Elvis is well and truly a Baz Luhrmann film. At times frustrating and at times exuberant, the movie is ultimately effective in capturing both the triumph and tragedy of the title character’s life. It’s une...
High Note, TheWith movies like The High Note that tell familiar stories, it’s all about how things are presented. Details matter. Performances are key and the “little things” that give the narrative a unique flavor are to be savored. In imparting the ...
It Comes at NightOver the past two decades, horror movies have increasingly gravitated toward jump-scare experiences: stories more interested in delivering sudden shocks than developing suspense through mood and atmosphere. This dumbing down of horror, which h...
JT LeRoyJT LeRoy, Justin Kelly’s adaptation of Savannah Knoop’s memoir, strives to be more than a run-of-the-mill biopic about two women who perpetrate a con on the literary world. It wants to address issues of gender fluidity and hypocrisy. It wa...
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